They’ve improved the sound quality for soprano voices and high-pitched instruments. If your DAW doesn’t feature ARA technology – Avid, Steinberg, I’m looking at you – then there are a couple of added features you can still enjoy. Or, if you want to use the lead vocal as a guide to editing the backing, you can have that present but inactive in the background. ![]() You can also edit multiple tracks simultaneously. Melodyne can also help in editing the individual notes that may get cut off in the comp. So you may find yourself adjusting the borders of the clips to get a smoother match. When comping vocal clips Melodyne will reflect the take choices you make and can demonstrate where sung notes have smooth or rough transitions. Melodyne ends up being like an integrated sample editor, or another level of editing for an audio track. There’s no transfer of data or waiting for a GUI to load, it’s all there as part of the interface. As you move, copy and paste the audio the Melodyne follows it and updates itself alongside. ![]() Rather than acting as a plug-in over an audio stream, or an off-line process like you find in other DAWs, Melodyne can appear alongside an audio track, directly applying itself to the waveform. It is currently found in PreSonus Studio One, Cakewalk Sonar, Magix Samplitude and Tracktion. ARA or Audio Random Access, is a communication protocol supported by a number of DAWs that allows for native integration compatible plug-ins.
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